Been a while since I posted here...

Things have been in full swing for cabaret the past few weeks, and we have been super busy. But the cabaret seems to be going very well, and we've been getting very positive feedback through the audience surveys. We are very glad you all are enjoying the new addition to the OWU theatre groups.

Things have been pretty rough with only a week of turnaround between each show, but we're fighting through it and continuing to bring you your weekly 45 minute dose of political/social humor until the end of the semester.

Also, I just wanted to mention how awesome Love Day on the Jay was! I'm so proud of everyone at OWU and everyone else who came from outside OWU for banding together for such a great cause! =D

Hope to see you on Monday! =)

WBC v.s. OWU 4/7/10

"It's goin' down."

URGENT UPDATE!

On April 7th 2010, the notoriously bigoted Westboro Baptist Church will be coming to OWU to protest a screening of "Anatomy of Hate." The WBC has been known to use extremely hateful slogans in their protests such as: God hates fags!, Fags = anal sex = Death, Jews killed Jesus, Burn in Hell, God hates the USA, Thank God for AIDS, Priests rape boys, Anti-Christ Obama, etc...) Here is their actual statement on coming to OWU:

"Ohio Wesleyan College 43 Rowland Avenue WBC to picket the screening of "The Anatomy of Hate" to give those attending an opportunity to hear some truth for the first time in their lives. Today's youth have been raised on a steady diet of "God loves everyone" and "it is okay to be gay" -- both loud lies from the pit of hell. The Anti-Christ Obama is on the scene now with his hatred of all men, teaching them these same lies, as well as promoting the slaughter of millions of unborn babies. He will bring this nation and world's full destruction very soon. God's perfect attribute called "hate" is the topic of this film. God's hate is not a human emotion, as God is not a human. God's hate is His determination to send the unrepentant sinner to hell. That needs to be preached! There is no forgiveness without repentance! God does not love all willy-nilly. He loves His own -- those who keep His commandments. De 7:9 - "Know therefore that the LORD thy God, he is God, the faithful God, which keepeth covenant and mercy with them that love him and keep his commandments to a thousand generations". 1Jo 5:3 - "For this is the love of God, that we keep his commandments: and his commandments are not grievous." You do not know His commandments and you do not keep them -- that is why God Hates You! That is the anatomy of God's hate."

We cannot stand to let these symbols of hate onto our campus unrestrictedly. I propose that we have a counter peaceful protest/show.

Now, this is a pretty wild idea and I know we've all got a lot on our plates, but this is the big leagues guys: it's our chance to really make a difference, and to put our money where our mouthes are as a political organization.

What I propose is that we spread awareness at tonight's (3/29/10) cabaret. Then have a regular cabaret Monday (4/5/10) and a protest show on tuesday (4/6/10) compiled from portions of body maps, the last two cabarets, and any new material on LGBTIQA issues or intolerance in general. Finally, on Wednesday (4/7/10) I propose that we have a counter peaceful protest to keep the WBC away from the screening so that it can go on in peace.

Now, this plan is a bit sketchy because it's 2am and I just brainstormed it with Leah, Maddie, and Drea in the past 5 minutes, but something needs to be done. We can't let these hateful minds overtake our campus. We can't let them win.

"Talking cures. Writing and performance cures. We're telling. We're bringing it forward." -Tim Miller

For more information on the WBC, please visit http://www.godhatesfags.com/visual/photos/busads/index.html(not kidding... that's their real website.)

Welcome to the Juicebox!

We finally have a name: THEA 300.3 is now known as The JuiceBox Cabaret.

Now, you may be wondering, why a Juice box? What were thinking?!?

Well, let me tell you (in no particular order.)

It's a parody off of Shadowbox Cabaret.

It brings back a child-like sort of questioning/imagining.

Juice boxes have many different flavors and we hope to provide variety.

We have nutritional value.

We expose juicy issues in the political and social spheres.

Also, we are delicious.

Okay, so I'm sure there were more reasons but it is late so I'll think of them later.

Better yet! Come see the JuiceBox Cabaret on Monday, March 29th 2010 in the Chappelear Drama Center's Studio Theatre at 9pm!

Welcome Home!

Today, we moved most of the risers out of the studio theatre to make our stage for the upcoming cabarets. It may not look like much, but it's all our space for the rest of the semester. It's going to see some other changes like a painted floor, draperies, couches, and tables. It's also going to see some great theatre from the still unnamed OWU cabaret.

WELCOME TO THE CABARET !

Short post without much of a point.

3 days out from break and a few weeks out from the first cabaret. *nervous cringe* I'm the biggest combination of excited and nervous and anxious and crazy and stoked and jazzed and paranoid that I've ever been.

There are so many good ideas floating around the class like moisture in air. I cannot wait till we get to condense them into a cabaret.

What I learned from Tim last week is...

Dave again. =)

Ed gave us an assignment to reflect on our experience with Tim. I just thought I'd share my responses to the questions on here so maybe you could grasp some idea of how amazing working with Tim was for me.

Questions:

Tim Miller response

Let’s think about what we learned and what we want to keep with us for the rest of the semester.

So answer the following. Be specific and descriptive, but you don’t have to write a long essay. Four paragraphs (one for each question) that gets to the heart of your assessment (and describes it well enough so I can understand exactly how you feel) is fine. We’ll also use these as a jumping off point on Tuesday to discuss our experiences this past week and what we hope to experience in the future.

1.) Which parts of our Saturday show – function, structure, point-of-view, way it communicated with audiences, what it did to the audience, conventions, etc. – would you most like to see reflected in our cabaret work in late March/April? Let’s identify those elements so that we can keep reminding ourselves of what we found valuable.

2.) What did you learn about your own work that you’d like to keep with you for the rest of the semester? In other words, what part of the process, attitude, point-of-view, job responsibilities, fearlessness, etc. do you want to continue to cultivate as we move into creating five new works in late March/April?

3.) What did we learn about our ensemble (or “tribe” as Tim put it) that we should keep with us for the rest of the semester? In other words, what made it an effective group; what were you proud of in yourself and others?

4) Finally, what should I tell Rock if he asks me about the value of bringing Tim in to work with the class? (Both good and bad are welcome.) What will you take away from it – including things that won’t show up directly in our cabaret work in March/April?

As usual, graded on thought, specificity, completeness of your description.

Answers:

Dave Winnyk

Tim Miller Response

1. The aspects of Body Maps that I would like to put into our cabarets are: the function, structure, and audience participation. To me, the function of Body Maps was to challenge the ideas of the audience with our own opinions and what we believe needs to be challenged in the world. As far as structure, I really enjoyed the way the pieces flowed into one another because it really just kept hitting and hitting and driving home the point; the audience didn’t really have time to put a thought to the piece before the next one was hitting. This kept them from judging the individual pieces they were force to see the piece as a whole performance. I also enjoyed walking the audience in and getting personal with them. I definitely want that same level of community and intimacy with the audience that we felt during Body Maps.

2. The parts of my performance I’d like to keep are the depth, passion and self-discovery behind the issues; the process of stretching out beyond my comfort zone into those charged spaces. I want to keep stretching myself as a performer and discovery new things about myself as an artist as we venture into our month of cabarets. As Glen would say before performances of Radium Girls: “find one or two things in each act that you can make better or at least a little different to add different shades to your character”, I want to try and better or add different shades to myself as an artist to the cabaret. I want to bring my growth and self-discovery to the stage because I want the audience to grow through the performances so I think that if I bring myself growing to the stage the audience will have a better connection.

3. I finally feel connected to the group. Body Maps really got our issues out there and we really had some collectivity as far as our ideas about what we want our targets to be. I feel there is a new intimacy in the group and we really feel connected. Like soldiers who have gone through their first battle together and made it out alive, we have Body Maps and it is the common thread that now runs through us. I think this will help us with cabaret because I think we will have a lot more passion and drive to help each other succeed and get into the feeling of working with each other on stage.

4. Tell Rock that Tim brought life into the class and not only showed us what a big change one person’s art can have to spur on social change but gave us the ability to experience it. He gave us that hope and passion that one, two, or many people shouting their stories from a stage has social and political gravity. He also gave me, as a theatre major, a different view on preparation and methods of performance. He also gave me inspiration for a possible senior project idea. My only critique about Tim is that he didn’t stay long enough and I would have liked to have more out of classroom time to just listen to his experiences and share stories with him (maybe if everyone in the class and he got together for dinner to just discuss and chill that would be pretty cool.)

Ho Hope you enjoy.

Body Maps

Yesterday night, a spectacular performance happened in OWU's studio theatre space. Body Maps, a wonderfully passionate performance piece was allowed (for the first and most likely only time) to breath and exist on a stage in front of an audience The power and collective soul in the studio during the performance was unbelievable. The audience was so engaged in what was happening onstage that I couldn't imagine doing with a different audience; it was so (to quote from EDT) "in the moment." It would've been a completely different show with a different audience.

Working alongside Tim has been a wonderful experience and I really hope I get the chance to work with him again.